关于AAC音频格式基本情况，可参考维基百科http://en.wikipedia.org/wiki/Advanced_Audio_Coding
AAC音频格式分析
AAC音频格式有ADIF和ADTS：
ADIF：Audio Data Interchange Format 音频数据交换格式。这种格式的特征是可以确定的找到这个音频数据的开始，不需进行在音频数据流中间开始的解码，即它的解码必须在明确定义的开始处进行。故这种格式常用在磁盘文件中。
ADTS：Audio Data Transport Stream 音频数据传输流。这种格式的特征是它是一个有同步字的比特流，解码可以在这个流中任何位置开始。它的特征类似于mp3数据流格式。
简单说，ADTS可以在任意帧解码，也就是说它每一帧都有头信息。ADIF只有一个统一的头，所以必须得到所有的数据后解码。且这两种的header的格式也是不同的，目前一般编码后的和抽取出的都是ADTS格式的音频流。
语音系统对实时性要求较高，基本是这样一个流程，采集音频数据，本地编码，数据上传，服务器处理，数据下发，本地解码
ADTS是帧序列，本身具备流特征，在音频流的传输与处理方面更加合适。
ADTS帧结构：
| header | body |
ADTS帧首部结构：
| 序号 | 域 | 长度（bits） | 说明 |
| 1 | Syncword | 12 | all bits must be 1 |
| 2 | MPEG version | 1 | 0 for MPEG-4, 1 for MPEG-2 |
| 3 | Layer | 2 | always 0 |
| 4 | Protection Absent | 1 | et to 1 if there is no CRC and 0 if there is CRC |
| 5 | Profile | 2 | the MPEG-4 Audio Object Type minus 1 |
| 6 | MPEG-4 Sampling Frequency Index | 4 | MPEG-4 Sampling Frequency Index (15 is forbidden) |
| 7 | Private Stream | 1 | set to 0 when encoding, ignore when decoding |
| 8 | MPEG-4 Channel Configuration | 3 | MPEG-4 Channel Configuration (in the case of 0, the channel configuration is sent via an inband PCE) |
| 9 | Originality | 1 | set to 0 when encoding, ignore when decoding |
| 10 | Home | 1 | set to 0 when encoding, ignore when decoding |
| 11 | Copyrighted Stream | 1 | set to 0 when encoding, ignore when decoding |
| 12 | Copyrighted Start | 1 | set to 0 when encoding, ignore when decoding |
| 13 | Frame Length | 13 | this value must include 7 or 9 bytes of header length: FrameLength = (ProtectionAbsent == 1 ? 7 : 9) + size(AACFrame) |
| 14 | Buffer Fullness | 11 | buffer fullness |
| 15 | Number of AAC Frames | 2 | number of AAC frames (RDBs) in ADTS frame minus 1, for maximum compatibility always use 1 AAC frame per ADTS frame |
| 16 | CRC | 16 | CRC if protection absent is 0 |
MPEG-4 Audio
- Company: ISO
- Samples: http://samples.mplayerhq.hu/MPEG-4/
- Samples: http://samples.mplayerhq.hu/A-codecs/AAC/
- Samples: sample repo at standards.iso.org
- Sample Docs: sample docs
Specification links:
- MPEG-4 Audio: ISO/IEC 14496-3:2009
- Conformance: ISO/IEC 14496-26:2010
Contents
[hide]- 1 MPEG-4 Audio
- 2 Subparts
- 3 Audio Specific Config
- 4 Audio Object Types
- 5 Sampling Frequencies
- 6 Channel Configurations
MPEG-4 Audio
MPEG-4 includes a system for handling a diverse group of audio formats in a uniform matter. Each format is assigned a unique Audio Object Type (AOT) to represent it. The common format Global header shared by all AOTs is called the Audio Specific Config.
Subparts
- Subpart 0: Overview
- Subpart 1: Main (Systems Interaction)
- Subpart 2: Speech coding - HVXC
- Subpart 3: Speech coding - CELP
- Subpart 4: General Audio coding (GA) - AAC, TwinVQ, BSAC
- Subpart 5: Structured Audio (SA)
- Subpart 6: Text To Speech Interface (TTSI)
- Subpart 7: Parametric Audio Coding - HILN
- Subpart 8: Parametric coding for high quality audio - SSC (and Parametric Stereo)
- Subpart 9: MPEG-1/2 Audio in MPEG-4
- Subpart 10: Lossless coding of oversampled audio - DST
- Subpart 11: Audio lossless coding - ALS
- Subpart 12: Scalable lossless coding - SLS
Audio Specific Config
The Audio Specific Config is the global header for MPEG-4 Audio:
5 bits: object type if (object type == 31)6 bits + 32: object type 4 bits: frequency index if (frequency index == 15)24 bits: frequency 4 bits: channel configuration var bits: AOT Specific Config
Audio Object Types
MPEG-4 Audio Object Types:
- 0: Null
- 1: AAC Main
- 2: AAC LC (Low Complexity)
- 3: AAC SSR (Scalable Sample Rate)
- 4: AAC LTP (Long Term Prediction)
- 5: SBR (Spectral Band Replication)
- 6: AAC Scalable
- 7: TwinVQ
- 8: CELP (Code Excited Linear Prediction)
- 9: HXVC (Harmonic Vector eXcitation Coding)
- 10: Reserved
- 11: Reserved
- 12: TTSI (Text-To-Speech Interface)
- 13: Main Synthesis
- 14: Wavetable Synthesis
- 15: General MIDI
- 16: Algorithmic Synthesis and Audio Effects
- 17: ER (Error Resilient) AAC LC
- 18: Reserved
- 19: ER AAC LTP
- 20: ER AAC Scalable
- 21: ER TwinVQ
- 22: ER BSAC (Bit-Sliced Arithmetic Coding)
- 23: ER AAC LD (Low Delay)
- 24: ER CELP
- 25: ER HVXC
- 26: ER HILN (Harmonic and Individual Lines plus Noise)
- 27: ER Parametric
- 28: SSC (SinuSoidal Coding)
- 29: PS (Parametric Stereo)
- 30: MPEG Surround
- 31: (Escape value)
- 32: Layer-1
- 33: Layer-2
- 34: Layer-3
- 35: DST (Direct Stream Transfer)
- 36: ALS (Audio Lossless)
- 37: SLS (Scalable LosslesS)
- 38: SLS non-core
- 39: ER AAC ELD (Enhanced Low Delay)
- 40: SMR (Symbolic Music Representation) Simple
- 41: SMR Main
- 42: USAC (Unified Speech and Audio Coding) (no SBR)
- 43: SAOC (Spatial Audio Object Coding)
- 44: LD MPEG Surround
- 45: USAC
Sampling Frequencies
There are 13 supported frequencies:
- 0: 96000 Hz
- 1: 88200 Hz
- 2: 64000 Hz
- 3: 48000 Hz
- 4: 44100 Hz
- 5: 32000 Hz
- 6: 24000 Hz
- 7: 22050 Hz
- 8: 16000 Hz
- 9: 12000 Hz
- 10: 11025 Hz
- 11: 8000 Hz
- 12: 7350 Hz
- 13: Reserved
- 14: Reserved
- 15: frequency is written explictly
Channel Configurations
These are the channel configurations:
- 0: Defined in AOT Specifc Config
- 1: 1 channel: front-center
- 2: 2 channels: front-left, front-right
- 3: 3 channels: front-center, front-left, front-right
- 4: 4 channels: front-center, front-left, front-right, back-center
- 5: 5 channels: front-center, front-left, front-right, back-left, back-right
- 6: 6 channels: front-center, front-left, front-right, back-left, back-right, LFE-channel
- 7: 8 channels: front-center, front-left, front-right, side-left, side-right, back-left, back-right, LFE-channel
- 8-15: Reserved
